What basic knowledge should students who study music know?

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Children who study music should, to a certain extent, have a complete basic knowledge after studying music.

Do you understand all basic knowledge below?

1: tone

This is a physical phenomenon. Sound waves are generated when things vibrate, enter eardrum through air, and become sound through brain reflection. The human voice oscillates approximately 16-2000 times per second, and this is used in music (not counting sounds).

2: tone-color

Refers to tone sensitivity. The initial consonant vibration is made up of various harmonics, including fundamental and overtones. The timbre depends on number of overtones and relative strength of overtones. The ability of people to distinguish timbre is innate, and color of music is divided into human voice and instrumental timbre. The timbre of human voice

3. Resonance

Resonance means vibration. When a sounding body vibrates, it causes other objects to vibrate, make sound, and resonate.

4: Root

The sound that vibrates object at lowest frequency is fundamental tone, and rest are overtones. A step defines a step.

5: Harmonic Overtone

Except for lowest tone produced by general vibration of main body as root, other 1/2, 1/3, 1/4 and other parts also vibrate at same time, which is an overtone. The combination of overtones defines a specific timbre and makes volume of main note unambiguous. All sounds in musical instruments and in nature have overtones.

6. Presentation

The pitch of a sound is expressed as number of vibrations per second. The higher frequency, higher pitch, lower frequency, lower. The current international sound standard "a", vibration frequency.

7: Presentation title

Refers to name given to a fixed pitch in Western music. The two names are incompatible and vary from country to country. The following are commonly used: C D E F G A B.

8: Names of syllables

The name of roll refers to names of notes in scale. Commonly used are 1do, 2re, 3mi, 4fa, 5sol, 6la, 7si. The tonic of major scale is 1do, and tonic of minor scale is 6la.

9: Compass

The range between lowest and highest notes that a voice or musical instrument can produce is called pitch range. The scope of speech can be divided into a general range and an individual range,

10. Key

Refers to classification of modes and keys. The tonic is core of melody and harmony, rest of tones are subordinate to it and, finally, end in tonic. Such music is tonal music.

11: Scale

Refers to each tone in mode, starting at a specific pitch, i.e. starting with root, and arranging notes in pitch order. This tuning is called scale. From low to high is called up, from high to low is called down.

12: Pentatonic

A melody composed of five notes. Often used in national music mode. For example: do, re, mi, salt, la, (do).

13: Main Mode

Modality. Seven scales, interval between adjacent two tones can be divided into a whole tone and a semitone. With exception of third and fourth tones, as well as seventh and eighth tones, all of its scales are whole tones.

14: Minor Mode

A type of scale, including "natural minor", "harmonic minor", "melodic minor", and "modern minor". Small tones tend to be darker than larger tones, which are used to express sadness and melancholy.

15. Just intonation

These are not twelve equal laws. The relationship between each tone and tonic is purely interval. Since semitones thus formed cannot be averaged, they cannot be transmitted randomly.

16: key note

The first note in scale.

17: semitone, fulltone

Divide an octave into twelve equal parts, each one a semitone, and two semitones are equivalent to a whole step. The chromatic gamma is equal to minor second,

18: Consonant and non-spacing (consonant, dissonant)

According to consonant interval, it can be divided into a full consonant interval (pure 1, 4, 5, 8 steps) and an incomplete consonant interval (major, minor 3, 6 steps).

19: spacing

specifies distance between two notes. Use "degree" to calculate unit of interval, including multiple syllables between two tones, this is called multiple degrees. An interval of same degree is also due to its semitone and whole tone.

20: twelve-tone system, twelve-note system

Modern compositional technique. Founded in 1921 by Austrian composer Schoenberg. Abandoning traditional system of mode, key, and harmony, arbitrarily arranging twelve tones in chromatic scale into a one-year tone sequence, and then processing them with techniques such as inversion and retrograde, unless all tones, any of them, appear. do not repeat.